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Islamic Art (700-2000)

Two traditions determine the make-up of most private collections today. One is that of the connoisseur, who gathers together a few select items on the basis of their aesthetic merit. The other is the comprehensive approach, where the emphasis of the collector is on assembling complete series of objects. The Nasser D. Khalili Collection of Islamic Art is remarkable in that it combines both these traditions within an overall scheme. The Collection includes an outstanding array of manuscripts of the Holy Qur’an and of illustrated manuscripts, and the coverage of the decorative arts – ceramics, textiles, glass, metalwork, as well as seals and coins – is comprehensive.

Saddle Fittings and Horse Trappings
29.7cm (max height, as reconstructed)
circa 1200 AD
Central Asia or western frontiers of China
Mosque Lamp
33 x 25cm
circa 1385 AD
Egypt
Carpet with Star Medallions
430 x 196cm
late 15th or early 16th century
Ushak, western Anatolia, Turkey
Single Folio from a Four-part Qur’an
23.9 x 33.8cm

Iran, Isfahan
Two ‘Hands of Fatimah’
l0.7 x 8.2cm
late 18th or early 19th century
India, possibly Hyderabad (Deccan)
Mail and Plate Shirt
86cm (maximum length)
late 15th or early 16th century
Northern Caucasus
for the Persian or Ottoman market
Calligraphic Composition
14.3 x 11.5cm
19th century
Ottoman Turkey
Dish
6 x 29.7cm
circa 1200 AD
Syria
Youth in European Dress and Young Woman with Indian Headdress, from a Shahnamah
35.5 x 21.3cm (page); 29.5 x 15cm (within outer gold rules)
manuscript dated 2 Dhu'l-qa‘dah 1058 (18 December 1648)
Isfahan, Iran
Small Flask
13.6cm (height)
early 19th century
Jaipur, India

Islamic Art (700-2000)

A central place has been given to the art of calligraphy, which plays an essential role in the art of the Islamic world. The holdings of manuscripts and folios of the Holy Qur’an are the first to have been assembled systematically in order to illustrate the whole history of Qur’an production, both in terms of time span and geographical range – from the 8th to the 20th centuries, and from Morocco to China. Similar sequences have been assembled for painting and the decorative arts. Later Islamic art has not generally enjoyed the same level of attention as that of the 10th–16th centuries. Yet, the wealth of important objects and manuscripts from later periods in the Collection shows that much art worthy of our attention on aesthetic as well as historical and intellectual grounds was produced in the 17th, 18th and 19th centuries.

Islamic Art Publications available from www.khalilicollections.org

The Nasser D. Khalili Collection of Islamic Art is an unprecedented 27-volume series (comprising 47 books) which together form the most unique and extensive survey of the field. The General Editor is Dr Julian Raby, previously Lecturer at Oxford University and former Director of the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. Eminent academics and specialists around the world have been commissioned to write the volumes. With holdings of more than 28 ,000 objects documenting the range of artistic production of the Islamic lands over a period of some 1,400 years, the Collection now ranks among the best in the world and represents a new generation of Islamic art collections. Calligraphy, which plays an essential role in the art of the Islamic world, has been given a central place in the Collection, which includes an outstanding array of manuscripts of the Holy Qur’an and of illustrated and illuminated manuscripts. The coverage of the decorative arts – ceramics, carpets and textiles, carved stone and wood, glass, lacquer, jewellery, and metalwork – as well as arms and armour, coins, scientific instruments, and seals is comprehensive.